This week, The Good, The Bad, and The Sequel takes on one of the greatest sequels ever made — Bride of Frankenstein — and we’re joined by a very special guest, Antonia Carlotta, whose family history is deeply connected to Universal and the classic monster era itself.

Bride of Frankenstein isn’t just a sequel — it’s a landmark in film history. Bigger, stranger, funnier, and more emotional than the original, it helped define what sequels could be while cementing Universal Monsters as true pop culture icons.

We dig into it all, including:

⚡ Why Bride of Frankenstein is often considered superior to the original

🧟‍♂️ The bold tonal shift — gothic horror mixed with humor, heart, and operatic drama

🎭 Ernest Thesiger’s scene-stealing Dr. Pretorius and the movie’s razor-sharp wit

🎥 James Whale’s fearless direction and how personal expression shaped the film

🕯️ Stunning production design, iconic imagery, and moments that still hit nearly 90 years later

📜 Antonia’s family legacy and personal connection to Universal Studios and classic Hollywood

💬 How Bride helped define sequel storytelling, monster mythology, and cinematic ambition

Antonia brings incredible insight, passion, and historical perspective, making this a must-listen episode for classic horror fans, Universal Monster lovers, and anyone who appreciates cinema history done right.

Antonia Carlotta Links:

🌐 Website: ⁠https://antoniacarlotta.com⁠

📸 Instagram: ⁠https://www.instagram.com/antoniacarlotta⁠

🐦 X / Twitter: ⁠https://x.com/AntoniaCarlotta⁠

📘 Facebook: ⁠https://www.facebook.com/AntoniaCarlotta⁠

🎬 Youtube: ⁠https://www.youtube.com/antoniacarlotta⁠